Wednesday, January 26, 2011

The Review of Fahrenheit 9/11 Movie, A Documentary Film by Michael Moore

This is one movie that should be watched by every person in this year, whatever your film taste or your political views, made by Michael Moore documentary, Fahrenheit 9 / 11 is the recommended first list should be watched.

Fahrenheit may be a provocative film, give pleasure or splitting the pemirsanya.Tetapi nobody will react indifferently to this surprise, sad at once funny watching from the Bush administration to handle terrorism and the Iraq war.

This is a breakthrough for the world of humor and journalism from director-writer Moore's most 'naughty', the most daring, funny things that sampling is intended to attack the hall of the richest and most powerful.

Fahrenheit certainly not the last word to President George W. Bush or Iraq. It is said of Moore. This film is a subject of controversy, a personal statement, an opposition which frankly about what it really war is.

From beginning to end in Fahrenheit 9 / 11 Moore talked with a clear voice: a casual tone as if he were telling a great joke, nothing more happy than when he looked down and ask someone about the extraordinary powers or wealth dirasakanya , he intentionally or not, has betrayed the public trust.

In this case, George W. Bush is the star, using archival film footage, which with jelly diredaksi and recounted in this film. Presented how the Bush administration sometimes appears as a persistent politician attractive and liked every one, with the style of a child who is charming everyone. But it also devastated by a cruel satire, depicting Bush is an opportunist that lowly, supported by the upbringing of privilege and moneyed friends and, to some extent, caught up in events such as cyclones.

What makes this film interesting with a very strange way and the painting is the subject of funny, which makes Bush with an automatic so comedian in Fahrenheit 9 / 11, while Moore's own role as a good man. But this is a very dark comedy, set in the tragedy. At a certain moment this film was to twist your heart.

That's the power of Fahrenheit 9 / 11: a way to solve the emotions and stings us to laugh out loud and filled with anger and sadness.

Moore commented on the election dispute in Florida, strong ties with the Bush family oil fields of Saudi Arabia, the frequency of vacation time by the President on pra-9/11 and disakitanya by a commotion in the events of 9 / 11. Then Moore met with no compassion offer of uptake alone in Iraq, a conflict that gave birth in the eyes of fear, deception and confusion and bloodshed, death and grief, tarnished the American dream with recognition as a defense of truth.

Moore clearly questioning the the reason, purpose and 'selling'of war in the 9 / 11 and, more than all, a terrible price in both the source of national income as well as human life. Actually the film is not objective. Moore mocking without questioning too far without thinking about tindakanya Bush, the president made this as a joke (whether conscious or unconscious) and, at one point, Bush as the main character makes television movie Bonanza, along with Cartwrightsnya, Dick Cheney, Donald Rumsfeld and Tony Blair.


Always there is a humanitarian message in reverse form of joke making a movie or even a simple story. Likewise, the touching story of the American workers who joined the army made by Moore - the pain issue is not expected simply because the rhetoric of a president.


For some viewers, Fahrenheit 9 / 11 look like a propaganda and for some others as a fiery modernization. But one that should not be divided by Moore to be on as a part to entertain viewers. Last May, Fahrenheit 9 / 11 to receive the award (the Palme d'Or). The film received the most welcome and long applause in the history of the Cannes Film Festival (for 25 minutes) - and this is not part of the cliches about the French antipathy to America.


The title of Fahrenheit 9 / 11 taken from a novel by Ray Bradbury about a society that burns books futuristic titled Fahrenheit 451 (the title was taken from the temperature of the burning of books.) And in the end, both groups of liberals and conservatives - and some extremist political groups - will be tickled his heart and repaired by this film. American conservatives, in particular, can respond to Moore's memory is recorded by calling it the American dream, the national spirit and tradition that he saw had been trampled.

Moreover, there is a clarity of full candor in a review that it conveys make Moore as Mark Twain with the tradition of his American humorous skepticism. And, here, the game of Moore's jokes - like the madness that is usually played with the storyline tries to deal with people in power and out of reach - hit the highest peak. Like he was asking the question "Will you behave well?" Bush himself made a joke with him that made Moore's film, as if shouting, "Find the job that is more real!" Undeniably, it was trying to say.

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