Thursday, July 15, 2010

The Grudge Film Review Cast by Sarah Michelle

Japanese director Takashi Shimizu has achieved success by creating new versions of his Japanese thriller Ju-On: Grudge for American audiences witnessed. Starring Sarah Michelle Gellar, The Grudge tells the story of a haunted house that gives the bane of anyone who entered it.

This film focuses on Sarah Michelle Gellar as Karen who plays an American student of social worker and live in Tokyo. Together with her boyfriend Doug (Jason Behr), an American architecture student who reads book titled 'Japanese Architecture', Karen create new opportunities in the country that became weird when he visited a house on the hill.

After an other health workers disappeared without a trace, Karen had to walk to the hill to take care of older women who suffer hallucinations, Emma (Grace Zabriskie), who seems to have been allowed to stay at home which gives a curse for people entering the house alone.

When Karen try to find out strangeness in the house, the story was released on Emma family and misfortunes. Like the characters in Agatha Christie novel, These three family members (played by Clea DuVall, William Mapother and KaDee Strickland) continually got various troubles. Each persons suffer atrocities pale-faced devil woman, like a convict with a long black hair

Haunted house in The Grudge was not equipped with cobwebs, but often sounded like a friction sound something like the broken bones. Located in Tokyo, with a long driveway where leaves fall around it, the house had been occupied by the five victims who narrated all of whom have died with tragic.

Shimizu described the life story of Karen, her boyfriend and co-workers, two family, two cops and a mysterious suicide victim and his wife - a story with a slow drain on each character to make the audience care about their fate

How the devil (played by Takako Fuji for the fifth time in Japanese movie version) come to haunt the house with fairy tongue, wild bulging eyes and make a scene with a creepy voice.

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